二百 200
|
Collaboration,
Unfired porcelain, 2013 |
200 tells of my relationship to the city of Jingdezhen in China and the community around the Sculpture Factory. The impact I would leave in there, would not be a material one but rather a relational one. What I left there was the chance for an idea to transcend as a story, to travel through the memories of those who were and weren't there. And while majority of the material used was not personally kept, it was allowed to be re-purposed by those who live there.
|
