MARIO A MUTIS R
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          二百  200 

          Collaboration, 
          Unfired porcelain,
          2013


200 tells of my relationship to the city of Jingdezhen in China and the community around the Sculpture Factory. The impact I would leave in there, would not be a material one but rather a relational one. What I left there was the chance for an idea to transcend as a story, to travel through the memories of those who were and weren't there. And while majority of the material used was not personally kept, it was allowed to be re-purposed by those who live there. 


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